
The CNN logo. (Photo by Andrew Harnik/Getty Images)
In May, as CNN pitched a new streaming service as part of its shift to a digital-first future, the network also announced plans for a standalone CNN Weather app by the end of the year and expand the network’s lifestyle ambitions. But as the calendar turns toward the New Year, the offering has yet to hit the app store for public consumption.
While CNN launched its new direct-to-consumer streaming service in October—offering live video feeds that closely mirror the linear network—the weather app arrived far more quietly. The product entered beta around the same time and is now being actively tested by users across the country, though internal access remains largely limited to the weather and product teams, according to a person familiar with CNN’s digital strategy. The muted rollout was due in part to engineering resources being diverted to ensure the streaming app launched smoothly in the fall, the person said.
A CNN spokesperson said the weather product is “in beta for consumer testing,” and is now set to launch sometime in 2026.
It’s been over two years since Mark Thompson was named CNN chairman and chief executive, acknowledging that the network needed to move rapidly to adapt to the changing media ecosystem as consumers gravitate toward digital platforms. Yet the weather app and other initiatives touted as part of the network’s broader digital transformation have been slow to arrive, and largely amounted to repackaging existing assets rather than introducing wholly new consumer experiences.
That gap between ambition and execution has fueled quiet skepticism inside and outside the company about how quickly CNN can realistically evolve—a process that takes on additional urgency with its corporate future now in doubt. As many will recall, CNN had embarked on the launch of its own streaming service, CNN+, in 2022, only to see new management shut it down after less than a month.
In January 2024, Thompson argued that CNN “has been slow to respond to the challenge” of adapting for the future in a memo to staffers, adding that new leadership would “move as quickly as possible to a point where it becomes redundant.” The network has repeatedly emphasized the need to expand beyond breaking political news into lifestyle, health, and climate-oriented product offerings that could attract both younger audiences and advertisers wary of polarizing political news.
But more than two years into his tenure, the rollout of those initiatives has been incremental, raising questions about whether CNN’s digital transformation has progressed quickly enough to keep pace with the broader industry and prepare the organization as cable dwindles in both revenue and reach.
The launch of CNN’s direct-to-consumer subscription offering this fall, which is pacing ahead of its internal goals, according to the network though it declined to release firm figures, saw the biggest bump in new subscribers on Election Day. In a memo to staff ahead of the holidays, Thompson touted the digital subscription business and “significant new lines of revenue” across the network. CNN is ending the year “trending well ahead of our profit goals for 2025,” he wrote.
The network is already using the offering to provide consumers with softer content, securing a partnership with Variety to stream the Hollywood trade publication’s popular “Actors on Actors” series. CNN also cited the streaming subscription offering as a driving force in the network’s digital platforms, which saw 122 million average monthly unique visitors globally, and ranked No. 1 in the U.S. for the tenth year in a row, with 94 million monthly unique users.
Seeking more paying customers, the network is already running a New Year’s Eve deal for new subscribers, reducing the price of its new streaming service by 50% off for all of 2026. Still, beyond the subscription offering, CNN has yet to roll out substantial lifestyle-oriented digital products at scale as promised.
During WBD’s upfront presentation in 2024, Thompson argued that “climate solutions and extreme weather will be a very interesting vertical, as well as health and wellness,” with the newsgathering resources from the linear channel already in-house. The network also expressed its intention to “double down” on travel content.
The pattern of repackaging existing assets has been evident in podcasting as well. Earlier this year, CNN rebranded CNN Audio as CNN Podcasts, framing the change internally as a renewed commitment to the medium. But the shift has yet to translate into meaningful audience traction. A recent scan of the top 200 programs on Apple Podcasts does not include a single CNN title. At the current moment, it is looking increasingly like the rebrand amounted largely to a change in name rather than a significant expansion of original offerings or chart performance.
Together, these gradual shifts underscore the challenge facing Thompson’s digital strategy, translating strong brand recognition into products that can compete in an increasingly crowded marketplace. And ultimately, the speed at which these plans are executed has become critical with the clock on CNN’s next chapter, and who’ll be flipping the pages, already ticking.


An editor's note from "60 Minutes." (Image via CBS News)
👀 Mere hours before it was set to run, CBS News pulled a ”60 Minutes” segment Sunday titled “Inside CECOT,” on the terrible conditions inside an El Salvador prison housing detainees the Trump administration has deported.
Bari Weiss “spiked our story,” “60 Minutes” correspondent Sharyn Alfonsi told colleagues in an email, a decision that she called “political,” The WSJ’s Isabella Simonetti reported. [WSJ]
“The 60 Minutes report on “Inside CECOT” will air in a future broadcast. We determined it needed additional reporting,” a CBS News spokesperson told Status in a statement.
The last-minute decision—given the time that goes into reporting a “60 Minutes” piece—immediately provoked speculation about corporate interference as CBS’ parent, David Ellison-led Paramount, continues its pursuit of WBD. Trump previously criticized the newsmag’s Marjorie Taylor Greene interview and complained again last week that “60 Minutes” has “treated me far worse since the so-called ‘takeover.’”
Status Scoop | In November, Status sat down with Katharine Viner, editor-in-chief of The Guardian, as the U.K.-founded outlet continues to grow in the U.S. Viner said U.S. readership “shifted in a dramatic way” after Jeff Bezos thwarted the Washington Post editorial board’s Kamala Harris endorsement. “It was almost like people took their monthly payments to the Washington Post and just transferred them to the Guardian,” she said.
The outlet has pioneered a reader revenue strategy, allowing consumers to fund independent journalism through donations. Viner expects to hit 425,000 recurring supporters in the U.S. by the end of the fiscal year, with over 200,000 single contributions—a testament, she said, to its connection with readers. The Guardian is staffed by 200 journalists, and Viner said they are still hiring.
Wealthy owners, she added, have acquired media outlets “for influence,” not because they’re great investments. By contrast, with the Guardian nobody can use the profits for “political or commercial ends,” she said. “It really is just for the journalism.”
Nicki Minaj appeared with Erika Kirk at Turning Point’s AmericaFest, calling J.D. Vance “an assassin” before awkwardly catching herself. [Daily Beast]
Vance finally weighed in on Nick Fuentes’ rise in MAGA, telling UnHerd: “Let me be clear…Anyone who attacks my wife, whether their name is Jen Psaki or Nick Fuentes, can eat shit. [Mediaite]
Deputy Attorney General Todd Blanche told “Meet the Press” host Kristen Welker at least 16 Jeffrey Epstein-related files that disappeared from the Justice Department’s public website less than a day after being posted had “nothing to do with” Donald Trump. [NBC News]
Margaret Brennan raised some eyebrows by asking Reps. Thomas Massie and Ro Khanna on “Face the Nation” whether the DOJ has complied with “the spirit if not the intent of your law.” “No, they are flouting the spirit and the letter of the law,” Massie said. [CBS News]
Michael Grynbaum and Stuart A. Thompson examined the first year of Trump’s presidency and the way he uses media to “force himself into the public consciousness on a daily, and sometimes even hourly, basis.” [NYT]
Graeme Wood wrote about false information spread in the aftermath of the Brown University shooting after users on X wrongly blamed a Palestinian activist. [The Atlantic]
“I have never believed more strongly in the power of journalism and especially the promise of nonprofit journalism to be part of the solution, if not the solution,” Jon Ralston wrote in a year-end column. [NVIndy]
Pierce Brosnan called a potential Netflix–Warner Bros. Discovery merger “unsettling,” saying it “doesn’t feel culturally right,” in a new interview with The Times U.K. [The Times]
“Fuck that guy”: Dave Chappelle took aim at Bill Maher in his new Netflix special, lashing out over criticism of his appearance at Saudi Arabia’s Riyadh Comedy Festival. [Variety]
Bowen Yang bid a tearful farewell to “SNL” with help from “Wicked” co-star Ariana Grande and Cher. [YouTube]
Yang shared a goodbye message ahead of his final episode, writing that he was “grateful for every minute” working on the show. [Variety]
Saturday’s episode also included a memorial card to former host Rob Reiner ahead of the curtain call. [Deadline]
“SNL” is set to return Jan. 17 with Finn Wolfhard hosting and A$AP Rocky serving as musical guest. [EW]
German actor Lars Eidinger will play Brainiac in James Gunn’s upcoming Superman film “Man of Tomorrow.” [The Wrap]
Lou Cannon, the journalist and author best known for chronicling Ronald Reagan’s political life, died at 92. [NYT]
RIP: Actor James Ransome (“The Wire,” “It: Chapter Two”) died by suicide at age 46. [THR]


A scene from "Avatar: Fire and Ash." (Courtesy of 20th Century Studios)
“Avatar: Fire and Ash” didn’t quite “ignite” the box office, as one trade initially put it, coming in on the low end of opening projections, with a $345 million global launch and an estimated $88 million domestic.
The success of the James Cameron sequel will be determined through the holiday period, and whether the 197-minute film has the staying power to get close to “The Way of Water’s” $2.3 billion haul.
As with Disney’s “Zootopia 2,” international will tell the tale with 75% of “Avatar’s” premiere tally coming from outside North America.
The animated “David” came in above $20 million, surpassing the 2023 hit “Sound of Freedom” to set a record for faith-based distributor Angel Studios.
After her prestige biopic “Christy” flopped, Sydney Sweeney could have a modest hit with the thriller “The Housemaid,” which opened at $19 million.


The latest episode of Power Lines is out.
In this week’s episode: We break down Vanity Fair’s bombshell featuring on-the-record criticism of Trump from chief of staff Susie Wiles, examine Fox News and MAGA Media’s rare break with Trump after his disturbing Rob Reiner post, dig into why Bari Weiss’ hyped town hall with Erika Kirk fell flat, what’s behind Warner Bros. rejecting Paramount again, Ted Cruz confronting FCC chair Brendan Carr, and more.
You can watch on YouTube—or listen on Apple Podcasts, Spotify, or wherever you get your podcasts. If you enjoy the program, subscribe so you never miss an episode!

