Last month, Disney’s ESPN enacted a painful round of cuts that shocked the industry. While many of the layoffs were tied to the network’s integration of NFL Network, the dismissals also hit recognizable on-air talent and personalities that had been mainstays at the sports media giant. In the time since, a grim mood has lingered around the network’s Bristol headquarters, Status has learned, with one person describing it as a “ghost town.”
Some of that can surely be chalked up to the usual summer slowdown. But employees remain anxious about the network’s future and their own job security, I’m told, as the sports media industry undergoes profound change. “People are really on edge because of the state of the business,” the person said, questioning “where ESPN’s North Star is.”
Pat McAfee, on the other hand, declared himself the “luckiest man on Earth” on Wednesday, after ESPN announced another expansion of his already considerable presence at the network. “I hope I can be an asset as we start the journey to The Biggest Super Bowl of all time in LA on ESPN and ABC,” he posted on X.
Starting this season, McAfee will join the roster of panelists for ESPN’s “Monday Night Countdown,” the network’s NFL pregame show, expanding his presence, which already includes his role on “College GameDay” and his weekday talk show. That’s not all. ESPN is exploring an alternative “Monday Night Football” broadcast featuring McAfee, as reported by The Athletic. I’m told ESPN is actively exploring the concept, though it would need league approval, which hasn’t been granted yet.
McAfee’s expanding footprint, of course, comes with considerable baggage. To name just some of it, his show has become a regular platform for Aaron Rodgers' conspiratorial anti-vaccine diatribes and attacks on public health officials, including a recent tirade against Dr. Anthony Fauci. McAfee’s own proximity to Donald Trump—most recently appearing with the president at a sporting event—has only added to the political scrutiny.
McAfee also has a history of using his platform in wildly irresponsible ways, perhaps most notoriously when he gossiped on-air about an 18-year-old student’s sex life, touching off a wave of harassment at the college freshman by fanning the flames of a false rumor. “You’re ruining my life by talking about it on your show for nothing but attention, but here I am staying up until 5 in the morning, every night, throwing up, not eating because I’m so anxious about what’s going to happen for the rest of my life,” the student said at the time. But McAfee only apologized months later.
In another incident, McAfee described WNBA player Caitlin Clark as a “white bitch”—another remark he was forced to apologize for. McAfee has also clashed with the broader sports media, famously calling sports journalists “miserable pricks” and “curmudgeon bums.” He once described the renowned sports journalist Andrew Marchand as a “rat” for an accurate report on his program.
McAfee’s rants are not limited to public health officials, college students, or members of the media. He has also gone after those inside the ESPN tent, once ripping a prominent network executive, Norby Williamson, for supposedly trying to “sabotage” his show. Not too long after the attack, Williamson opted to depart the network.
Still, McAfee’s expanded role was perhaps expected, as the network has steadily increased his presence across its programming over the last few years. Meanwhile, ESPN, McAfee, and his in-house production team have been negotiating a new, monster licensing agreement reportedly worth between $60 million and $65 million. The arrangement is largely a production deal, according to a person familiar with the talks, who noted that McAfee’s company produces his show and pays its staff and production costs.
Taken together, the developments reveal where ESPN is placing its bets—even if they also raise questions about what the network is supposed to represent. At the same time it is doubling—or perhaps tripling or quadrupling—down on one of its biggest stars, it is working through the anxious aftermath of cuts elsewhere, prompting scrutiny over where the network sees its future. In any case, the contrast is hard to miss. ESPN spent the summer laying off reporters, then opted to elevate the one personality who has a long history of trashing reporters.
In a network press release last week announcing the return of the full “College GameDay” cast for its 40th season, McAfee was front and center in the accompanying marketing image, sandwiched between coaching icon Nick Saban and host Rece Davis.
That is the crux of ESPN’s bet. Whether directly correlated to McAfee’s presence or not, “College GameDay” saw its most-watched regular season ever last year, averaging 2.7 million viewers, a 22% bump year over year, with the season racking up nine of the most-watched regular-season episodes ever. The series also saw notable growth among viewers under 25, a selling point to potential advertisers. During the 2021 season, the year before McAfee joined, “College GameDay” averaged 1.88 million viewers.
ESPN executives have viewed “College GameDay’s” success as proof of concept for McAfee’s addition, with particular interest in securing a younger demographic as sports media grows increasingly saturated with seemingly endless independent offerings. McAfee can’t take sole credit for “GameDay’s” growth, particularly amid booming interest in football more broadly. But a person familiar with ESPN’s thinking suggested the network sees a positive impact of his presence on the show. Given those results, the person said, it was natural for the network to experiment with whether McAfee could bring similar engagement to its NFL pregame coverage.
It also probably doesn’t hurt that NFL commissioner Roger Goodell is known to be a fan of McAfee’s and has appeared on his show multiple times.
Of course, not everyone inside ESPN is thrilled by McAfee’s increased presence on the network. “People always talk about it like, ‘We got to make room for Pat,’” one staffer told Status—a line that was mostly said in jest until recent cuts were made, with McAfee’s expansion to NFL coverage following soon after. The remark suggests that even if ESPN has denied that the recent cuts and McAfee’s ascension are connected, plenty of people inside Bristol are drawing the line themselves. A network spokesperson did not provide comment for this story.
That unease has a public-facing counterpart from influential alums, including Linda Cohn, who spent 34 years as a SportsCenter anchor. She warned of “McAfee fatigue.” But Cohn argued that it’s nothing new for the network’s executives, who she said have played favorites with on-air talent. “The viewers can speak up, say they don’t like it. But ESPN, most of the time, turns a deaf ear,” she said.
ESPN, for its part, views criticism from former employees like Cohn as lacking the context of the network’s current internal decision-making, I’m told. The network rejects the notion that McAfee’s growing footprint is particularly unusual, pointing to other personalities including Scott Van Pelt, Mike Greenberg, and Malika Andrews, who appear across multiple shows. But other high-profile talent aren’t inking licensing deals worth tens of millions of dollars. Nor have they used their perch to irresponsibly platform vaccine conspiracies, feud publicly with network executives, or smear journalists.
With Disney indicating it may enact additional cost-cutting measures under chief Josh D’Amaro’s leadership, rumors of further cuts have circulated among staffers. I’m told that ESPN has no plans for additional layoffs through the end of the month, but beyond that, the outlook is far less certain.


David Ellison. (Photo by Matthew Stockman/Getty Images)
With David Ellison’s proposed merger with Warner Bros. Discovery on hold, representatives from Paramount and the California attorney general’s office are set to meet Monday for preliminary talks that Ellison hopes will lead to a potential settlement of the states’ antitrust lawsuit.
👀 Attorney General Rob Bonta is expected to ask Paramount to divest “some” cable channels and keep its own movie studio separate from Warner’s, Joe Flint and Jessica Toonkel reported. [WSJ]
Elsewhere on the Paramount legal scene, former distribution chief Chris Aronson sued the studio for more than $4 million, alleging age discrimination and breach of contract after he was fired following the Skydance takeover. [Deadline]
Mark Ruffalo forcefully pushed back on Paramount’s allegation of using “antisemitic tropes” after he criticized its merger with WBD. [Deadline]
Paramount’s volley was prompted by Ruffalo’s criticism of Larry Ellison’s Oracle. He reposted a video on Instagram in which Oracle’s executive vice chair described the company’s assistance to Israel following the Oct. 7 Hamas attacks.
After Paramount slammed his post in a public statement, Ruffalo responded: “The accusation that I am antisemitic is appalling and fundamentally dishonest.” He added that “scrutinizing the Ellisons” is “fair and necessary.” The post drew over 24 million views on X.
Donald Trump erupted at Tucker Carlson, along with Marjorie Taylor Greene and Thomas Massie, weeks after they met and teased the potential formation of a new “movement.” [The Hill]
Scott Nover profiled John Solomon, the MAGA Media personality with a history of pushing conspiracy theories who now has an official White House post as chair of the “vaguely defined Government Transparency Task Force.” [WaPo]
The NYT reporter Tracey Tully said “someone” called police on her when she attempted to cover a fundraising event for New Jersey Republican Rep. Tom Kean, who was absent from Congress for nearly four months earlier this year. [NYT]
👀 Tully’s report of the incident noted that Fox News reporter Liz Elkind was in attendance at the event—as was a local Pennsylvania-based reporter.
CNN’s Erin Burnett criticized Sean Hannity for giving “cover” to Darline Graham after the GOP Senate candidate’s viral debate gaffe. [Mediaite]
Nevermind?: Meghan Markle has been dropped from consideration to join the cast of Netflix’s “The Gentlemen,” Tina Brown reported. [Substack]
Trump threatened a $5 billion defamation lawsuit against the Center for American Progress after one of its reports concluded that his deployment of the National Guard to various cities did not result in a reduction in crime. [NYT]
A federal appeals court threw out a $130,000 judgment a Democratic consultant won against James O’Keefe, handing the right-wing activist a significant legal win, Josh Gerstein reported. [POLITICO]
Hunter Biden’s media tour continued with a slot on “Real Time with Bill Maher,” where Maher asked if he was running for president. [Variety]


Tom Holland and Zendaya in "Spider-Man: Brand New Day." (Sony Pictures Entertainment)
Box Office Bonanza: Paul Dergarabedian, the head of marketplace trends at Rentrak, said that this “may be the most important summer movie season since 1975, when ‘Jaws’ took a huge bite out of the box office and set the modern summer season in motion.”
2026’s domestic box office has crossed $7 billion, according to Rentrak, pacing more than 20% above last year.
Still in Spidey’s Web: “Spider-Man: Brand New Day” continued to dominate at the box office, bringing in another $39 million in its fourth weekend.
The Tom Holland-led blockbuster surpassed 2021’s “Spider-Man: No Way Home” to become the third biggest film of all-time at the domestic box office, printing $855 million in receipts. Sony’s Marvel picture also topped $2.2 billion globally, moving into sixth place on the all-time highest-grossing list.
Sony Pictures also scored with the release of “Insidious: Out of the Further,” the sixth installment in the horror franchise. It placed second in its debut weekend, garnering just over $25 million.
“The Odyssey” dropped to third place in its sixth weekend, still scoring a healthy $19.5 million. Its domestic total now sits at nearly $540 million.
“PAW Patrol: The Dino Movie” came in fourth in its second weekend, scoring about $9.1 million.
“The End of Oak Street,” the thriller starring Anne Hathaway and Ewan McGregor, brought in around $9 million but dropped about 57% from its debut.
Meanwhile, the horror hit “Obsession” crossed $500 million at the global box office, becoming the highest-grossing film ever with a budget of less than $1 million.

The latest episode of Power Lines is out.
In this week’s episode: CNN’s MAGA pundit, Scott Jennings, is publicly auditioning for the job of White House press secretary. But, bizarrely, CNN has decided against sidelining Jennings over the conflict of interest. Instead, the network is allowing him to use its platform to audition for the role.
Plus, we talk about our exclusive reporting on “60 Minutes,” as longtime correspondent Bill Whitaker privately mulls whether he made the right decision to stick around in the Bari Weiss era. And we break down Disney’s lawsuit against Brendan Carr and the FCC. Finally, we talk about our experiences trying to snag tickets to “Dune: Part Three.” It didn’t go well! We discuss what AMC needs to do to make things right for moviegoers.
You can watch on YouTube—or listen on Apple Podcasts, Spotify, or wherever you get your podcasts. If you enjoy the program, subscribe so you never miss an episode!



